Mathew Whitaker: tall tales of toilets and time travel

By Ken Johnson

Matthew Whitaker is the acting U.S. attorney general. He is a criminal, equal parts boner-pill hawker and H. H. Holmes.

His antics are entertaining and stupid, but fundamentally Midwest horrible, like Chick-fil-A pumping legions of children to obesity.

He is the personification of the land of all-American shopping centers and lethargy that makes up the middle of this country, coalesced from the belly-fear of the corn fields teeming with lower-middle class debt…

Whitaker is the chief lawyer of the United States because the last one, Jeff Sessions, was fired by President Donald Trump following the midterm elections.

Trump firing someone isn’t surprising — his administration has a 58 percent turnover rate — but Trump is under investigation by the justice department, so firing the attorney general and replacing him with a steroid-soaked sock puppet is obstruction of justice. I’ll explain that later, but for now, just know that in future U.S. History III classes, this will be seen as one of Trump’s most notorious screw-ups.

Either that, or it will be know as the moment God Emperor Trump drained the swamp with quicklime.

Anyway, let’s look at Whitaker.

Whitaker’s past is drenched in fraud and idiocy, most of which surrounds one company: World Patent Marketing.

Theoretically, World Patent Marketing, like most patent companies, was supposed to help entrepreneurs by applying for patents and marketing their products.

That almost never happened. Instead, according to the Washington Post, their clients were encouraged to buy the complete market-and-patent package, and then World Patent Marketing would ghost their victims, keeping the money.

People were physically and legally threatened when they complained. Scott Cooper, the CEO, would threaten people with the martial art Krav Maga, which is probably the dorkiest way to try to intimidate someone.

“Many people ended up in debt or lost their life savings,” the Washington Post said in a recent article.

Now Whitaker is the attorney general, and the people he took advantage of have to live with that.

The Federal Trade Commission sued World Patent Marketing in 2017 for over $25 million and banned them from ever practicing in the industry again. Whitaker was on the board of World Patent Marketing and served as an adviser. He got involved in some extremely embarrassing projects before the company was shut down.

One project involved Bigfoot DNA, which they said could prove the existence of Bigfoot. Another involved a time-machine, which they said would be operational in about a decade.

The best one was a patent for an “extra-masculine” toilet for men with 12-inch penises.

Here is a small taste of that patent application:

“The average male genitalia is between 5 inches and 6 inches. However, this invention is designed for those of us who measure longer than that. I estimate that a 12-inch distance is adequate enough for most well-endowed men, though I would not be surprised if there are cases who need a greater distance.”

I hope the United States Patent and Trademark Office got the message — World Patent Marketing’s board is full of guys with massive shlongs.

In addition to the patent and marketing scam Whitaker ran, he was part of a laughably shady charity, ironically called the Foundation for Accountability and Civil Trust (FACT).

“FACT is a group of citizens who are committed to exposing unethical behavior, changing the culture of politics, and restoring faith in our public officials,” says FACT’s website.

FACT has launched high-profile lawsuits against prominent Democrats, including Hillary Clinton. Now it looks like FACT has violated its tax-exempt status, which matters even beyond the ever-expanding boundaries of Whitaker’s scandals because prominent Republicans, such as the Koch Brothers, have been donating, and possibly funneling money through, FACT.

The Washington Post reported that Whitaker received $252,000 as a salary for being the president of FACT in 2015, “more than half the charity’s receipts for that year.”

There is not nearly enough space in this column to go over all of Whitaker’s transgressions. There are a ridiculous amount. He has done and said plenty of other unethical things, but here’s the takeaway: He is mean and dumb and corrupt.

And now Whitaker is in charge of the Russia investigation.

The firing of Sessions matters because he recused himself from the Russia investigation, which was the right thing to do as he had a Kremlin-sized conflict of interest.

Trump was angry that Sessions recued himself — Trump was counting on Sessions to severely constrict the whole investigation, so Trump fired Sessions and replaced him with Whitaker.

That, by the way, might as well be the definition of obstruction of justice.

On top of all that, Whitaker’s appointment is probably illegal because the Senate hasn’t approved him, making everything he does voidable.

Trump passed over Deputy Attorney General Rod Rosenstein, who is the obvious and legal choice for attorney general, and skipped all the way down to the biggest critic of the Mueller investigation in the Justice Department: Whitaker.

So why Whitaker? Why appoint someone whose past is arguably dirtier than Trump’s and employ him in an overtly illegal way?

Whitaker has been arguing against the Russia investigation since its genesis. That’s why.

In an interview on CNN, which happened right after Robert Mueller was appointed special counsel to investigate Trump’s blatant criminality, Whitaker gave a detailed explanation about how Trump could castrate the Russia investigation:

“I could see a scenario where Jeff Sessions is replaced,” Whitaker said.  “And that attorney general doesn’t fire Bob Mueller but he just reduces his budget to so low that his investigations grinds to almost a halt.”

That is, again, exactly what is happening, and Trump might get away with it because Whitaker’s obstruction will happen largely out of view.

Firing Sessions has the same effect as firing Mueller — it’s obstruction of justice, slightly veiled.

Whitaker is a new low-water mark in the American descent back to madness.


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Remembering Fran Hudson

By Catherine Wallace

Fran Hudson, who helped students navigate their network accounts, who calmed faculty when their computers crashed, and who warned the campus community as a whole NOT to click on that email, died Oct. 16, five days after suffering a stroke at her desk at Whatcom Community College. She was 66.

More than 150 people gathered Nov. 10 in Heiner Theater to celebrate Fran, who ran the computer helpdesk at Whatcom for 16 years. Friends and family told stories of their mother, neighbor, wife, and sister-in-law who loved deeply, helped selflessly, and enjoyed a good party.

Memorial screen shot

Noma Hudson, Fran’s sister-in-law; Dayton, a family friend; Kate and Emily, Fran’s daughters; and Mike, Fran’s husband, who spoke at the memorial.

Coworkers remembered Fran’s kindness when they called in crisis and thought they were the only ones who couldn’t figure out their computers. A common theme when people spoke of her was Fran’s helpfulness and patience—extreme patience.

Fran began her career as a part-time employee at the Whatcom help desk in 2002. In her job, she prioritized every service request that came in to the IT department via phone, email, and in-person at her office downstairs in the lab in Heiner Center. She coordinated the help staff to respond to calls from all over campus—often from people “who were downright mad”—and frequently worked 10 to 12 hours a day.

Whatcom President Kathi Hiyane-Brown recalled Fran’s unflappable nature and kind voice at the other end of the phone.

“Fran was always there, and always, always, calm and collected,” Hiyane-Brown said. “She was polite and courteous. Even when we would panic and get frustrated, she would say in her reassuring way, ‘You know, things happen.’”

Every faculty member who was hired at Whatcom met with Fran to be set up in the Whatcom system. “She knew everyone’s name,” Hiyane-Brown said, “and everyone’s password.”

Hiyane-Brown also said it was her honor to present Fran with the Classified Staff Award for Excellence in 2015, commenting that the award came from nominations from staff, coworkers, and students who recognized Fran’s devotion to the Whatcom community.

“She was humble and she was generous. She was sympathetic and she brought grace to whatever she did,” Hiyane-Brown said. “I wish we had many more Frans.”

Fran 1

Fran Hudson.

Fran was also part of the Self Learning Commons design committee and was looking forward to occupying the office at the new student technology center and help desk, Hiyane-Brown said, adding, “We will miss hearing you at the other end of the phone saying, ‘Just reboot.’”

Colleagues and coworkers gathered in the Heiner Theater on a sunny Saturday morning to learn more about who Fran Hudson was when she was not at Whatcom addressing their technology needs.

Family photos cycling through on the big screen in the nearly full auditorium showed a loving mother, a joyous sister, a demure high school graduate, a beautiful bride, and a happy traveler. In many of the photos, Fran was seen laughing and smiling, or hugging and holding loved ones, including pets.

She loved to travel, and for her 40th wedding anniversary in May, she and husband Mike went to Costa Rica with their two daughters, Kate and Emily, and their partners. A photo of Fran with a parrot on her shoulder was a favorite of the family’s.

Fran’s sister-in-law Noma Hudson remembered as a preteen admiring the girlfriend of her older brother for her “glamorous job at the drive-in snack bar” and her “less glamorous job working at a hospital.” Fran was always in the helping professions, and Noma Hudson said she considers, “‘do you want fries with that?’ working in a helping profession.”

She recalled with an open heart Fran’s kindness when, in her early 30s, Noma suffered a trauma. Fran and her family were living in Michigan at the time and Noma, who lives in Longview, said she knew where she wanted to be for Christmas.

“I knew that with Fran, I could begin to heal and that she would welcome me, give me the peace I needed and also that support,” she said.

But with an equal measure of humor, she recounted many more stories of Fran as generous and fun-loving.

When Fran was hired at the help desk at Whatcom, Noma said it was the perfect job for her because, not only did she “have a great attention to detail and a steady personality, but she could ask, ‘Is it plugged in? Is it turned on? Have you rebooted it?’ in such a way that the person on the other end wouldn’t feel like an idiot … unless she needed them to.”

“Fran loved my big brother Mike,” she said. They were friends for years before they began to date and then marry in 1978. Then the girls came and their family was complete, she said. When the girls were young, they moved to the Midwest and lived there for eight years, in Michigan and then Wisconsin for a year, before returning to the Pacific Northwest and settling in Bellingham, she said.

“Fran was very outgoing, but also fairly closed,” Noma said. “I don’t know if she was an ‘extroverted introvert’ or ‘introverted extrovert.’”

Fran loved to entertain, especially with extended family, her daughters, and their friends.

“Fran made her house a home; it was filled with the things she loved—family treasures, plants, and the decorations that she so loved to buy,” she said. Fran was known for her “epic Santa collection,” and in later years, “she started adding snowmen.”

Fran’s laugh was infectious, Noma said. She loved the Food Network and HGTV. She even became enamored with the idea of a tiny house, to which Noma smiled and said, “her Santa collection alone would not fit in a tiny house.”

When Noma got the call that Fran was in the hospital, she made the painful trip to be with the family the next day. However, she said she noted with a smile that “every room in the house was already decorated for Halloween. Every room.”

Noma also recalled how much Fran loved a campfire, and even when it was “raining sideways,” Fran would stay out and enjoy it anyway. She shared Fran’s delight when Noma taught her how to “dip her marshmallows in Grand Marnier before roasting. … And then we spent an entire evening dipping marshmallows in most any other alcohol we could find because we ran out of Grand Marnier.”

Fran's family

She said she loved “Fran’s sense of fun” and firmly believed she would want everyone to celebrate life and party today.

“And guys,” she said, addressing the family, “she is going to haunt us for some of these pictures up there.”

Noma Hudson’s tribute elicited many welcomed bursts of laughter, but also moments of reflection.

“I don’t have a biological sister, but for the past 40-plus years, I felt like I did.”

Ward Naf, Fran’s supervisor and director of Information Technology at Whatcom, was with Fran when she collapsed at her desk on Oct. 11. He remained with her and kept her comfortable until paramedics arrived. He then stayed at the hospital until her family arrived, because he said he felt “he owed it to his great friend” to be there for her. “It was my honor and duty.”

Naf said Fran was the IT department’s connection to the campus. She often came in early to open the student computer lab and stayed late to make sure faculty had what they needed.

“She was the great, grand multitasker, therapist, and problem-solver,” he said. “She triaged support for the 12 of us in the IT office along with six to eight employees who worked for her at the student help desk.”

Whenever she found a problem, she would just solve it, which he said is making updating her job description difficult.

Personally, Naf said, Fran was someone who could calm him and “talk him off the proverbial ledge.”

“Our families were intertwined for over a decade,” Naf said, wiping away tears. “Her husband and my wife worked together and her daughter Emily would babysit our kids.”

The day she had her stroke, Naf was by her side. He said he has no doubt that Fran would have done the same “for many of us here today in this room.”

“We are all hurting, feeling pain and anguish,” he said. “She was a special person who will be missed by all of us.”

Fran and Mike’s neighbor of 20 years, Brian Lydiard, who also coordinated the service, recalled that Fran was easy to be around and remembered how much she enjoyed being at home sitting on the back deck with its propane fire pit.

“A bottle of white wine, or some limoncello, a few snacks, and a friend or two made for a good time for Fran,” he said. On that same deck, he added, she would have dinner with Mike and they would just enjoy each other’s company nearly every summer night.

Fran’s oldest daughter Kate fondly recalled coming to visit from Seattle, her mother’s house perfectly decorated, warm, and with pizza cooking in the oven, as was their Friday tradition.

“She meets me with a hug and a kiss and I know I’m home,” she said. “She would then ask, ‘How was your drive? Wanna drink?’”

Their connection was close, which, Kate said, is why she never moved too far away.

“Mom was where I felt the safest. Her voice would calm me down and her hugs protected me,” Kate said, promising to continue to keep the family close and connected.

“I know Mom would want us to be strong and continue on with our family traditions like holiday decorating,” and every day “we will bring mom’s spirit with us with everything we do.”

Daughter Emily, who is five years younger than Kate, said, “true to form, I have not prepared anything.” However, through tears, she said she couldn’t add much more to what others had said, except that “Mom had the biggest heart for everyone she ever met.”

Emily’s best friend Dayton called Fran “Mom No. 2” and wept for the woman who always welcomed her as part of the family, even when she and Emily “snuck out of the house and she threatened to send me back to Wisconsin.”

Fran’s husband Mike, who clarified that Fran was born “Fran, not Frances or Francine,” added levity to the tributes by remarking that their “grandchildren” were of the furry, four-legged variety, because “some people weren’t doing their jobs.”

He said he and Fran watched “an inordinate amount” of home and garden shows together, because, after a long day of solving people’s problems, she just wanted to relax with some of her favorite characters “like the Pioneer Woman and the Property Brothers, who did not seem to have any problems.”

He said Fran did not tolerate problems.

“She either found a way around to a solution, or ‘rebooted’—which is how she solved a lot of problems,” he said. “I don’t know how I lasted so long, she had several opportunities to ‘reboot’ that. Fortunately for me, she didn’t.”

Fran and husband

Fran and her husband, Mike.

Fran Hudson was born Fran Kaiser in Longview, Washington, on March 31, 1952. She graduated from Mark Morris High School and attended Lower Columbia Community College where she got a certificate in the school’s hospital ward clerk program. After graduation, she worked as a ward clerk in the emergency department at St. John’s hospital in Longview.

In 1971, she met Mike through a mutual friend, and after seven years of friendship and courtship, they married in 1978. Kate was born in 1979 and Emily in 1985.

When the family lived in Michigan in the early 1990s, Fran worked as a marketing representative for a local company and also helped design an information referral service for the United Way of Southwest Michigan.

The family then lived in Wisconsin for a year before returning to Bellingham, where Fran called home for the past 22 years.

Fran is survived by her husband of 40 years, Mike; daughter Kate and her partner Brian Hale; daughter Emily and her partner Dan Derr; and her younger sister, Sheri Barr.

Remembrances may be sent to the Whatcom Hospice Foundation or Whatcom Community College Foundation.


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“The Kissing Booth”: Creepy and condescending

By Apple Parry

“The Kissing Booth” is truly the worst movie I’ve ever seen. Without analyzing the entire script, the side plot inconsistencies, or the incredibly overdone romantic plot, let’s talk about how sexist the film is.

The opening scene shows Elle’s childhood and longtime friendship with Lee Flynn. It also shows that Elle has always had a crush on Lee’s off limits older brother, Noah.

Based on just that montage, it’s obvious this movie is going to focus on yet another forbidden, bad-boy teen romance— unfortunately, it’s so much worse than that.

The next scene starts with Elle’s only pair of school regulation pants ripping. So, what is a girl to do other than wear a “ninth-grade skirt on an eleventh-grade body”?

All the important or authoritative men in Elle’s life comment on her skirt, starting with her dad. But her dad’s concerns are genuine and caring. He offers to pick up her “back-ups” and bring them to her at school.

On the way to school, Lee sarcastically tells Elle that with that skirt on she is seen as a “distraction.” Even as a joke, these remarks are harmful to both women and men. It encourages the objectification of women in a lighthearted manner.

Lee also has a tendency throughout the movie to think that, just because he’s her best friend, he can control her, or, at least, whom she dates.

Once they arrive at school, a football player with a man bun decides to slap her ass, and the Flynn brothers step up to defend her. Noah, the knight in shining leather, comes to the rescue, and they all get called into the principal’s office.

While waiting to be called in to the principal’s office, Noah claims, “Wearing a skirt like that is asking for it.” When Elle gets defensive, he dismisses it by saying the feminist rant wasn’t worth it. Clearly, this movie could have used Elle’s rebuttal.

Once called into the principal’s office, Elle must explain to the fourth man in a matter of minutes why she is wearing this stupidly small skirt. This event was just an excuse to include sexist comments, actions, and consequences. When discussing what happened Elle says, “dude touched my lady bump” making her sexual assault into a joke.

After a very weird detention, Elle agrees to go on a date with good ol’ grab ass, but she gets ditched.

The football player later tells Elle, “no boobs are worth a broken nose.” It’s almost poetic really, but it also implies that he only wanted Elle for her looks and body, and that she’s not even worth it.

Somehow, Elle blindly stumbles into the boy’s locker room, covered in paint with her shirt off. Read that sentence again and guess how the director finessed that scene into the movie.

Instead of running out of there like a sane 16-year-old girl, she struts past about 40 guys, picks up her shirt and walks out. This would be an empowering move, if it wasn’t just to piss off a guy and remind everyone she grew boobs over the summer.

Since they live in California, I would expect nothing less than a beach party at some point in this movie. It delivered. At this party, some douche continuously tries to force Elle to go to a hot tub with him, obviously with only one purpose in mind. But Noah shows up to defend her- once again.

A major flaw is that the director never lets Elle handle things by herself, showing young girls they should have a “big, strong man” to defend them at all times, rather than showing how they could deal with it alone, which is what happens much more often in the real world.

After Noah punches the guy, he yells at Elle to get in the car multiple times and hits the car. Life tip: if someone with a violent past starts yelling at you and hitting things, don’t get in his car!

Maybe it was for comedic purposes, but Elle has to jump on a trampoline, while in a skirt, exposing her underwear multiple times. I know this is small
— but that’s exactly the point. Seeing small things like this makes it seem okay because it was only for a short amount of time.

When Lee finds out that Noah and Elle are together, he tells Elle, “The only thing I had that he didn’t was you… and now he has that too.” That was Elle’s best friend not only calling her a “thing,” but saying she was Noah’s “thing”.

Speaking of Noah, the typecast bad boy is starting to get super old. Casting the same type of rebel, is extremely cliché. It encourages the ‘I can fix him’ phenomenon, where girls take a typically bad boy and try to change him for the better, which usually doesn’t work.

While concluding the movie, Elle claims that “there was a part of [her] that was always going to belong to Noah Flynn.”

I’ve heard this saying multiple times, and realized I’ve only ever heard it from women.

This kind of sexist content is obliterating all the progress we’ve made. It ignores what’s wrong or right and just focuses on what will get the movie the most exposure. Every male in Elle’s life has either been demeaning or subtly sexist, and that can only result in a damaged person, especially because when it really counts, Elle doesn’t stand up for herself.

Even for a movie based on an amateur young adult novel, this was astonishingly horrible. If you watched The Kissing Booth, congratulations! You and I both wasted an hour and forty-five minutes of our lives, that we can never, ever get back.

 


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Whatcom pulls for higher voter turnout

By Apple Parry

The ASWCC is pushing for more students to vote in the November midterm elections.

They started the #aswccROCKthevote campaign, which involves students finding painted rocks around campus and posting pictures of the rocks on social media with the hashtag “#aswccROCKthevote.”

Whatcom voter registration is a key issue for ASWCC President Mason Green.

Another part of the ASWCC voting push is a partnership with the League of Women Voters, a non-partisan organization that “encourages active and informed participation in government,” according to their website.

Cam Kerst, a volunteer with the League of Women Voters, has been outside by the ballot box near Heiner Center, handing out stickers and pins, helping students to register to vote.

voting box

Ballot box by Heiner Center

“Young peoples’ voices are important,” Kerst said. “We need everybody to vote.”

Another volunteer, Paula Rotondi, was standing in the rain and talking to students about voting. “It’s the most important and powerful thing I can do,” Rotondi said about voting. “It’s the happiest thing I do all year.”

In 2014 during the midterm elections, the League of Women’s Voters gave out around 14,900 ballots to 18-24 year olds, but only around 4,450 people turned in their ballots.

Senior citizens, on the other hand, have a much higher voter turnout.

One of the reasons for low, youth voter turnout is that nobody knows where the ballot boxes are, Rotondi said.

Ballot boxes close at 8 p.m. on Election Day, which is on Nov. 6.


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In the spotlight: Sylvia Center takes the stage

By Kia Vieira da Rosa

The Sylvia Center for the Arts in downtown Bellingham provides space for artists of all levels to practice and present the performing arts.

The Sylvia Center for the Arts is a nonprofit theater made to “provide affordable space for Whatcom County’s artists to rehearse, teach and perform, while also creating a central hub for arts audiences to discover and enjoy locally created music, theater, and dance” according to the Sylvia Center for the Arts website.

In 2017, a fundraising and Kickstarter campaign was launched to gather funds to create the Sylvia Center.

A former Whatcom Community College student, Shu-Ling Hergenhahn-Zhao, took on role of the Sylvia Center capital cabinet chair. She talked with the local and state legislature about funding, along with networking and working with the community.

According to Hergenhahn-Zhao, her job was to be in charge of raising the 2.5 million dollars for the creation of the Sylvia Center.

Sylvia Center

Shu-Ling Hergenhahn-Zhao is heavily involved in all aspects of the Sylvia Center for the Arts

“I helped connect the center to people and help find funds and the means to continue doing what we’re doing,” she said.

Beth Tyne, learning contracts coordinator at Whatcom, was a member of the capital campaign committee that helped with the fundraising of the Sylvia Center.

“One thing that was exciting about the capital campaign and Kickstarter was we were inviting people in on this vision of having an accessible art space,” Tyne said. “It’s not ‘give us the money so we can create’, but ‘let’s create this art center together.’”

“Sylvia Center for the Arts is the next chapter in iDiOM Theater’s 18-year history in downtown Bellingham.” Hergenhahn-Zhao said. “A couple years ago we had the opportunity to move into the Cascade Laundry building and we jumped at that opportunity. The last two years we’ve been building our facility downtown.”

The iDiOM Theater, a production company founded in 2001 in the Allied Arts and Pickford Limelight building, was used as a space to “cultivate new talent by giving up-and-comers a place to hone their skills,” according to the iDiOM Theater website.

Since the 2015-16 season, the iDiOM Theater production company has been one of the many resident companies of the Sylvia Center.

According to Hergenhahn-Zhao, after moving into the new space, the iDiOM Theater changed its name to the Sylvia Center for the Arts and expanded their goal to provide an affordable space for performing arts companies to use downtown.

Tyne, who also performed in iDiOM Theater productions in both the Pickford location and the Sylvia Center, said despite the change of location, their beliefs are still the same.

“The vision that started at the iDiOM is being carried over to the Sylvia center,” Tyne said. “The idea of making sure the arts are accessible for both the audience and giving artists the chance to do their own creative work.”

Located in the arts district of downtown Bellingham, the Sylvia Center consists of two stages, a rehearsal space and two galleries.

The main theater, named after the late Bellingham musician Lucas Hicks, seats approximately 150.  A 68-seat studio theater is used for smaller shows.

Open to the public, the Sylvia Center is a space that casual or serious actors can come to use.

According to Hergenhahn-Zhao, the Sylvia Center wants to provide college students with opportunities to network and collaborate with people on projects outside of classes.

Hergenhahn-Zhao said students from Whatcom have written attended, acted, and helped with the stage management in addition to attending shows.

“We’re just creating an opportunity for people to take what they’re learning as Whatcom students and apply it outside of Whatcom,” Hergenhahn-Zhao said.

Hergenhahn-Zhao said having a space like the Sylvia Center is important because it lets people connect with each other.

“There are so many things that can keep people separate, but there are still so many things that can bring people together,” Hergenhahn-Zhao said. “Art provides people an opportunity to connect on those levels.”

Hergenhahn-Zhao said she believes that the convenience of connectivity through social media limits person-to-person connection.

“People younger than I am have less opportunity to connect with people on a personal level,” Hergenhahn-Zhao said.  “Sharing something like theater provides a way to have a reasonable conversations on the things they don’t agree with and hopefully find a middle ground.”

Hergenhahn-Zhao said theater helps people understand diversity and one another.

“Without exposing people to diverse stories or giving people an opportunity to face their social norms and confront those things, it’s really hard to inspire empathy,” Hergenhahn-Zhao said. “If we don’t give people the opportunity to experience diverse narratives by meeting each other and sharing their stories then we wind up with a less empathetic society.”

“We’ve had a motto since pretty much as long as I’ve been with involved with iDiOM: ‘always be training,’” Hergenhahn-Zhao said. “Never be complacent and always be relentless.”


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The official student newspaper of Whatcom Community College in Bellingham, Washington